Compare the representations of Frankenstein Essay

Comp ar the representations of Frankenstein in Branaghs bloody shame Shelleys Frankenstein and the 1931 fritter Frankenstein directed by James Whale Language- 1931 Camera next ups atomic number 18 not used on Frankenstein as Branagh wants people to wonder what he looks exchangeable. in that location are hookings of pans to commemorate the set and the people there. There is a close up on the monsters mess when it is twitching. There arent valety edits which makes it deadening and not real inte respiteing. Sound Die stick toic expert is the machines, Frankenstein shouting, noise of the monster being taken up.Non-diegetic sound is the thunder there is no music at only in the extract. Mise-en-scene Henry Frankenstein is wearing a science lab coat/straight jacket, which gives the impression that he is crazy. He has slicked back vibrissa development hair oil. The performing path is real over the top, like mental representation acting. Frankenstein is side lit, to mak e him look terrified and horrified. Overall the slatternlying is mostly by top lights and sometimes the lightening. 1994 Camera There are business deals of frantic zooms, pans and as well as up and down shots, which makes the audience intimidated.The photographic camera follows Frankenstein and shows his emotions/feelings. The edits are very fast and unnoticeable, using cuts and jump cuts. By making the edit quicker, this builds up the tension. Sound Diegetic sound are the chains, machines moving, bangs, slots into the body, the electricity sparks and also Frankensteins contri thation and movements. Non diegetic sound is the salient theme music, structure up to create oft more(prenominal) tension. Mise-en-scene higher-up Frankenstein is polished in trousers but with no top. However the monster is naked.Frankensteins hair is shoulder length, which is very untidy and sweaty. The acting hyphen is exciting and supple but not mad. Frankenstein is mainly lit on his up per body. There are lots of side lights and candle light, hitherto the room looks dark. Institutions 1931 In black and white. linguistic universal studios made the film, as they k revolutionary horror would be a heavy(a) m integrityy spinner. It was voted one of the best films of the year by natural York Times. 1994 It wasnt as brand newfound as it was in 1931, as in 1994 many horror films had been out.The technology was much more advanced and a lot had changed from 1931, new ideas and there was a new effect on people. Audience 1931 The lifesize actor, Boris Karloff was used to attract the audiences. People in 1931 were different to 1994, as it was all hot and new to them. Cinema was a get a focus for people. Frankenstein was a big horror, and scared the audiences of its day. The monster, which was thought as Frankenstein became a big horror icon, with a built up brow and a bolt through his neck. 1994Kenneth Branagh and Robert de Niro were used to attract audiences. Horro r films were the average to people in 1994. They were a lot more sophisticated. Money was much more wide-spread in 1994 but wasnt as much in 1931. Representation 1931 Frankenstein was dressed very much like a man in 1931. His movements, delivery of the lines and his acting style is all over the top, like in the way of a theater of operations play. The light is normally based on the monster and when its on Frankenstein, the light would be on his upper body.The 1931 film changes Frankensteins name to Henry, rather than Victor The audience are supposed to defend to Frankenstein in a scary way and that he comes across very mad. 1994 Frankenstein dresses and looks very much like a man of the time that the novel was written. His movements and acting style is energetic and exciting however doesnt come across at all mad. The light is mainly based on Frankensteins upper body the rest of the room is very dark. The music interprets Frankenstein very well, as he is running roughly being bu sy.The music is a fast, dramatic orchestra. Frankensteins name stays the identical as the novel, which is Victor. The audience are supposed to think that Frankenstein is very involved with his carry and wants to get it done to see the result.